Jun 30

Interview: Blip Boutique’s Mary Fagot, Creative Force Behind Robyn’s Killing Me Video
The oil spill is killing me. My suitcase is killing me. But mostly it’s Robyn’s interactive twideo that’s killing Twitter users. The firm behind it is Blip Boutique, an L.A.-based collective led by James Frost–the guy behind Radiohead’s House of Cards video and Mary Fagot, ex creative director of Capitol Records. Mary spent the last year at the Hyper Island school in Stockholm to boost her …

Read more on Fast Company Magazine



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Jun 30


Preview

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Jun 30

Britney Spears – Britney Spears Collaborator Speaks Out
Britney Spears’ new album will be “hard-hitting and up-tempo”.Producer Danja – who previously collaborated with the ‘Womanizer’ hitmaker on her previous two…

Read more on ContactMusic



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Jun 30


Our Last Night In The Studio with Andrew Wade, Bass and Vocal Tracking.

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Jun 30

T Bone Burnett Has Huge Influence on Robert Randolph
A top story from this week.

Read more on antiMUSIC



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Jun 30

Did you know it was possible for you to release your very own record without the aid of record labels, music contracts, recording contracts, whether they be from indie or major? Yes, the process of doing this all yourself can be a little intimidating simply because it can be easy to miss some of the legalities of the process but it is possible!
There are many issues to be considered when releasing a record without the help of good ole music business contracts. Now remember every artist and their goal is not the same so it is ok if you must deviate from some of these suggestions. As with writing about music contracts and such, some of these tips may be extremely reduced or put into layman’s terms in order for the average guy or girl to understand them completely. Use this as a guide to help you on your journey to releasing your own record.
1. First, let’s discuss investors. There are several types of investors but more importantly you will need to devise music business contracts for you and these parties to sign. This will ensure everything is not only legal but fully agreed upon.
2. Unless you are solo, you are going to have to have some sort of agreement within your group. You may need to devise music contracts on your own for the whole group to sign. This is because, whether you realize it or not, you are forming a partnership with the other members of the band. This should include finances, recording contracts, ownership, the group’s identity or name and any other topics that the group decides needs to be agreed upon as a whole.
3. Along the way you are going to need people. You may need people for management, sound, engineering, recording or handling equipment. These people are considered “work for hire. ” To protect you and your group, these guys need to sign music business contracts stating their exact purpose and even include that they will not be entitled to anything such as royalties or ownership rights.
4. When releasing your own record, advertising, distribution and promotion is all up to you! This is serious stuff and needs to be considered ahead of time. People who sign music contracts usually have these sorts of things handled for them but the ball is in your court on this one. Write up a budget that thoroughly describes how much will be spent where. There are marketing, recording and manufacturing costs that need to be considered to name a few.
These are four mega important things to keep in mind when releasing your own album. The music industry is full of sharks and frankly some people don’t want to deal with music contracts and recording contracts and all that jazz. Now a day, you don’t have to! Releasing your own album is hard work but it can be done with the right preparation and a will to survive!



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Jun 30

Joel P. West And The Tree Ring Perform In Studio
An audio recording of this interview will be posted here within a few hours of the live broadcast. A transcript will also be added within 24 hours. Thank you for your patience.

Read more on KPBS San Diego



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Jun 30

By Daniel Medeiros. . .

The life of a professional musician has all the allure of a million dollars and a one-way ticket to being famous. Is it worth it? Heck, yes! But the only way to becoming a professional musician (and by “musician,” we mean singers and bands, not professional flautists) is to land a record deal. Whether you’re aiming for a mainstream or an indie share of the pie, you need that label to get heard.

Wait, but it’s tough to get signed to a label, right? True. And while there are many changes happening in the music industry right now (especially on the technological side), there is still no better way to make money as a musician than by having an established record label market your music. So how do you sell your soul to the corporate devil? It’s rather tricky, but we’ll walk you through the steps. (And don’t worry, it won’t involve an evening with RIAA President Hilary Rosen, a bottle of tequila, and a Barry White album. )

Unless you’re the next Beatles, there are a thousand other bands like you – so make yourself stand out from the rest by being professional from the beginning. . . No one will want to sign you unless you’re going to make them money. As such, you and your band must be confident, experienced, dedicated, and have it together (in other words, you must look like you will bring in money).

I have the assumption that you do not have a manager and that you are trying to get signed on your own. If you do have a manager, let the poor guy or gal do his/her job and you just stay out of the way. Otherwise, you need us bad.

http://www. reverbnation. com/jazzalikes



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Jun 30

Great IPO, Tesla. Now what?
From burgeoning competition to union issues, the young company will be tested right out of the IPO gate.

Read more on San Jose Mercury News



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Jun 30

Have you ever wished that you could make your own car? You know, have a little factory set up in the back yard next to the storage shed where you could just create the cars of your dreams? Well, for decades, people have longed to make their own albums, CDs, or whatever format they happen to take at the time. The only problem was, of course, having the equipment necessary to create your own CDs. But now, thanks to dramatic improvements in pricing and technology, people can in fact create and distribute their own CDs, without bothering with the hassles and contracts associated with signing with a record label. Of course, just like CDs made in the big factories, CD labels are an important part of the process – if you hope to fashion a respectable image for yourself and your label.

Oh come on now. . . no one really cares about the labels and packaging—the music is all that really matters!

Yes, dream that little dream, my child. . . Packaging is a critical part of the entire business process – whether you are selling beer or peanuts. It is the visual presentation that first draws us to any new product, just as it is physical attraction the first piques our interest in a lover. And yes, the packaging may have nothing at all to do with the actual product – just as looks can be very deceiving. Still, there are thousands of products whose packaging costs more than the item packaged. Without proper packaging and a professional presentation, the best idea, product, or CD on the planet will likely go unnoticed.

But a person is going to look at CD labels for two seconds and then push play. . . why waste money on the label?

You make a very logical case – but that is precisely the point! People do not buy things because of logic; they buy things to satisfy an emotional need or craving. Plus, music is an expression of emotion, and CD labels should give people a visual idea that represents the content of your music. Plus, if you are like me and a lot of other people, you read the CD labels and love it when they come with little stories, or even just the lyrics printed on them. (I mean, honestly now – how many times have you had to check for CD labels with lyrics, because you heard a great song, but can’t understand a word?)

Well, what exactly do I need to put CD labels on with?

Ding, ding, ding. . . we have a winner! Great question friend, and I am so glad you asked. What is needed to put CD labels on properly? A CD label applicator is what you are looking for, and there are several different brands on the market today.

You are just teasing me now. . . tell me more!!

The most logical reason for using a CD label applicator is to make sure that the label is centered on the CD. If it is not, you are going to have some very, very irritated fans out there! When CD labels are not properly centered, they can cause the CD to be unbalanced. The best-case scenario is that your improperly mounted CD labels will cause the CD to become scratched and wear out before its time. Things can really get ugly if those poorly mounted CD labels cause the disc to spin into the digital reader, and damage your player.

Also, most CD label applicator units come with software that will help you design and create your CD booklets, tray cards, and labels. With some patience, and a little imagination, you can be creating CD labels that will rival those produced by the “Big Boys”. Besides, you don’t want to spend all that time and energy creating a great CD, only to package it as some low-grade product – do you? I didn’t think so. Invest a little time, money, and effort into creating quality CD labels – you’ll be glad you did.

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