Sep 8


See Music Videos www.bvmtv.com that you CAN’T See on You Tube! even some X RATED music videos! +Live Chat and Embed video codes. Story of the Year (also known as Story or SOTY) is an American Rock band formed in St. Louis, Missouri in 1995. The band was initially named Big Blue Monkey, they changed their name to Story of the Year in 2002 after the release of their EP titled “Story of the Year” on indie label Criterion Records when they realized a blues group of the same name had already existed. It would not be until eight years after forming that Story of the Year saw its first piece of commercial success in its major label debut, Page Avenue, containing the popular singles “Until the Day I Die” and “Anthem of Our Dying Day”. A second album, In the Wake of Determination, followed in 2005, but did not achieve the success of its predecessor. The band has returned with their third album The Black Swan, their first on Epitaph Records, which was released on April 22, 2008.

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Sep 8


cr: ZOMBIEPEOPLE @ egloos

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Sep 7

Interpol shows off new songs
Judging by the five new songs Interpol [ tickets ] performed at a private showcase Monday (9/6) in Santa Monica, CA, the New York band’s sound hasn’t changed much on its first release in three years. In one of their first shows since the recent exit of bassist Carlos D, the indie rockers performed “Success,” “Summer Well,” “Lights,” “Try It On” and “Barricade” from the new album at Apogee …

Read more on LiveDaily



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Sep 7


You’ve got a computer. You’ve got CDs. All you need to turn those CDs into digital music is iTunes. Insert a CD into your computer and iTunes automatically converts the songs to digital files. You don’t have to enter song, album, or artist names: iTunes fills in all the blanks, and even adds album art so you can browse your digital music collection the same way you flip through your CD collection — cover to cover.

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Sep 6

For music, Good Old War did without running water
Good Old War aren’t one of those acoustic groups that simply moved their campfire jamming to the stage. The Philadelphia trio began when the band Days Away decided to take a break from prog-inflected indie rock. Guitarist Keith Goodwin and drummer Tim Arnold teamed up with another guitar-playing friend, Dan Schwartz of Unlikely Cowboy, dusted off their vocal cords, and began harmonizing.

Read more on Isthmus



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Sep 6

Kerchoonz, the social media networking group, is partnering with cult Mancunian online TV show, “Our House”, in a bid to help promote regional UK musical talent.

The announcement follows on from the “Kerchoonz Live” sessions in December last year, when indie artists were invited to upload their music onto the Kerchoonz. com site, the winners going on to perform in front of a live studio audience at the House of Rock studios in Glasgow and receiving cash prizes, promotion in hard press, world-wide blog networking, professional live studio recordings and interview sessions with top journalists around the globe.

Our House is fast becoming recognised as the platform for showcasing indie musical talent. A mixture of music, guests and celebrity guest presenters, with interviews being held on the sofa and live performances in the living room, acts lined up for this year include:

* Tim Scott, a guitarist who works alongside Judge Jules in Ibiza* Frank Bembini of the Fun Lovin Criminals* Kristyna Miles, who has toured with Simply Red* The 66, Violet Youth, Donna Marie, Darren Poyzer, Kranius and The Harks

In addition to this line-up, special guests will include Terry Longden, the TV and radio celebrity who also happens to be the nephew of Ozzy Osbourne, and Alan Fletcher, aka Dr Karl Kennedy in Neighbours, whose band is touring the UK this year.

Indiana Gregg, co-founder of Kerchoonz, says: “The Kerchoonz Live sessions are dedicated to supporting live entertainment and showing off some of the world’s best raw talent. Similarly, Our House has exactly the same philosophy, cutting through the bull that often fuels the music industry and setting its sights firmly on giving musicians a helping hand, whilst providing entertainment to music lovers everywhere. We have joined forces to do just that, and the signs suggest that Our House is set to really take off”.

Claire Curran, producer and presenter of Our House agrees. She says: “Mancunians are truly some of the most passionate music lovers in the world, indeed producing some of the best bands from the last twenty years and so it is fitting that Our House is filmed in Manchester. With the help of Kerchoonz, we will continue to attract and air bands worthy of attention from around the UK, giving them much needed publicity, as well as having our legendary in-depth conversations on the sofa with fascinating guests. We believe that both Kerchoonz and Our House will show musicians that the traditional process of finding an agent and a record deal is not the only route to success. ”

The episodes will be aired weekly, with the first episode being shown on 30 July at http://www. kerchoonz. com/ourhouse

Kerchoonz, founded by Indiana Gregg and Ian Morrow in 2008, is a group of veteran record producers, artists, songwriters , music and technology industry professionals. Kerchoonz. com is a social networking platform that allows free exchange of music, art, ideas and entertainment. It enables fans to search and discover new music, play games, meet people, watch and upload video, keep up with news and post blogs.

Kerchoonz. com is an ad-funded model that allows artists and musicians to be paid for their audio and video streams, as well as their free downloads. http://www. kerchoonz. com

Our House is an independent television show, directed by Paul McCarthy and produced in Manchester, offering the best of unsigned talent and featuring a mixture of music, guests and celebrity guest presenters. It is produced in a house with guest interviews on the sofa and live performances in the living room!http://www. ourhouse-manchester. co. uk



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Sep 6



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Sep 5

Alternative Rock singer-songwriter Kirsten DeHaan has confirmed her latest release on SirLady Records: a five song EP dubbed “Thorns On A Crown” that is by far her most mature work to date. The new EP encompasses the sweetness of Liz Phair, a soft, airy quality like that of Sia, and the rich alto of Fiona Apple. Digital music distributor and licensing company Oseao Media Group will be making the EP available through major online retail stores on October 6th, 2009. When describing her latest offering,” Thorns On A Crown” Kirsten notes, “This record, without exception, finally exemplifies who I am as an artist. . . Its alive, clear, and gripping. I wanted to make a very raw record, one that can’t hide, I think that goal has been accomplished. “Kirsten has a lovely vocal range layered over innovative melodies and catchy chord progressions. The songs on her five-track EP extend over a range of toe-tapping to somber. The melody of the track “1984″ coupled with the guitar wah pedal effect gives it a 60’s psychedelic feel. The guitar intro then serves as an excellent backdrop through the entire song. Music lovers can download a free MP3 of “1984″ from her website at http://www. kdlocal. comThe single string guitar riff in “Double or Nothing” meshes in with the bass line very nicely giving it a Dave Matthews Band groove. The track “The Night Shift” has a Pink Floyd feel to it, which midway through introduces a samba like rhythm. In the track “I’m Coming Home,” Kirsten stays true to some of her influences like Bob Dylan evidenced by the use of the harmonica. This track also captures Kirsten exhibiting a decent vibrato. While at first inconspicuous and gentle, “Ms. Daisy” easily works its way into the listener?s subconscious through Kirsten’s melodious and colorful voice. “My primary goal as a singer/songwriter and for ‘Thorns On A Crown’ is to make my music as tight as possible,” explained Kirsten. “After many years of writing my own work and playing with various musicians, I’m working with my guys, which, in my view, has created the ultimate band recording with just five instruments. Paul Amorese on drums, Jamie Sturm on guitar, Shawn Setaro on bass, and myself on guitar, vocals, and harmonica. “DeHaan stomped onto the indie music scene in 2004 when she released her first album “Conform. ” Reviewers compared her music to that of Nirvana, U2, and Belly. MTV struck licensing deals to play her songs Commotion and Saved on hit reality shows Made and My Super Sweet Sixteen. Garageband rated her #16 Best Female Vocals in Pop/Rock, all time, and FreshFarmMusic. com declared “Conform” one of the most popular records next to the Killers and Ashlee Simpson. In addition, Kirsten was one of five artists chosen for Men’s Vogue/Hennessey Flaunt Your Taste Critics Choice Awards this past year. DeHaan also strives to promote and foster the indie music scene in New York City. She started the New York Indie Rock Launch in early 2006 to bring the best New York artists of various rock genres together under one roof. Promoting entirely on a grass roots level (a flyer to flyer basis), the first Launch sold out quickly and found tremendous success. DeHaan continued the series in 2007 and again in July 2008 at the Galapagos Art Space in Brooklyn. http://www. kdlocal. comhttp://kirstendehaan. musicdish. nethttp://www. reverbnation. com/kirstendehaanhttp://twitter. com/KDLocalFor CD or mp3 tracks as well as interview request, contact:Eric de FontenayMusicDishhttp://kirstendehaan. musicdish. netkistendehaan@musicdish. net+1 718 278 0662



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Sep 5

Examples: Sufjan Stevens, Arcade Fire, Anathallo, god speed you black emperor.

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Sep 5

Sheet music began as musical notations written on clay tablets by ancient Babylonians. It was used by the ancient Greeks, survived the Dark Ages, and became an important musical force during the Renaissance Period. With the advent of the printing press, printed sheet music affected the music industry in ways unimaginable by past generations. Yes, the history of sheet music is a long one, at least four thousand years, and it has been a story of evolution and growing dissemination. Yet if all those ancient musicians could see the form that sheet music has taken today, they would find it impossible to fathom. In modern times, sheet music has, like most other forms of communication, joined the digital age.
Beginning in the end of the 20th century, there was a great deal of interest in representing sheet music in a computer-readable format, as well as downloadable files. Software that can “read” scanned sheet music, called music optical character recognition (music OCR), has existed since 1991. Needless to say, this software created a completely new manner of dissemination for sheet music which, in this format, was referred to as virtual sheet music.
Further progress was made in 1998 when virtual sheet music became digital sheet music. The difference between the two is that digital sheet music, for the first time, allows copyrighted sheet music to be purchased via the internet. Additionally, and perhaps more importantly, digital sheet music files can be manipulated and altered as their virtual and hardcopy counterparts never could. Such an attribute makes digital sheet music ideal for instrument changes, transposition, and even musical instrument digital interface, or “midi,” playback. Digital sheet music is the musical notation of the 21st century.
The popularity of digital sheet music has revitalized the sheet music industry, which has been languishing since the invention of the phonograph. Digital sheet music has even made inroads into professional orchestras, which are perhaps one of the most traditional remaining arenas of printed sheet music. In 1999, an electronic system for the coordination of orchestral music was invented by Harry Connick, Jr. This system uses a device with a screen to display the musicians’ sheet music. The advantages of not having to use traditional sheet music during a performance, when the rustle of paper can be very distracting, are easy to see. Other musicians and software engineers continue to experiment with the digital display of sheet music.
Digital sheet music has made musical notation available on a scale the likes of which its creators could never have dreamed. It is the future of sheet music, and no where is this more apparent than with the Mutopia project. Mutopia is a volunteer-run effort to create a library of free content digital sheet music, which is reproduced from old scores that are out of copyright. Although there are only about 1400 pieces of music available at present, this project is makes it easy to imagine that there will come a time in the foreseeable future when digital music libraries will be very, very extensive indeed.



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