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	<title>Transit Records - Label Recording Music Production &#187; music theory</title>
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	<link>http://www.transit-music.com</link>
	<description>Recording Industry News</description>
	<lastBuildDate>Mon, 06 Feb 2012 19:29:00 +0000</lastBuildDate>
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		<title>How To Play Romanza On The Guitar</title>
		<link>http://www.transit-music.com/music-theory/how-to-play-romanza-on-the-guitar</link>
		<comments>http://www.transit-music.com/music-theory/how-to-play-romanza-on-the-guitar#comments</comments>
		<pubDate>Mon, 06 Feb 2012 19:29:00 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[music theory]]></category>
		<category><![CDATA[guitar]]></category>
		<category><![CDATA[play]]></category>
		<category><![CDATA[Romanza]]></category>

		<guid isPermaLink="false">http://www.transit-music.com/music-theory/how-to-play-romanza-on-the-guitar</guid>
		<description><![CDATA[					
					
Visit www.danmansmusic.com for more information on DanMan&#8217;s Music Library. Leslie Lowe from DanMan&#8217;s Music School shows you how to play the the song &#8220;Nobody Knows You When You&#8217;re Down and Out&#8221; by Jimmy Cox on guitar. This video is just a sampling of DanMan&#8217;s Music Library, which includes hundreds of videos that teach music theory [...]]]></description>
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Visit www.danmansmusic.com for more information on DanMan&#8217;s Music Library. Leslie Lowe from DanMan&#8217;s Music School shows you how to play the the song &#8220;Nobody Knows You When You&#8217;re Down and Out&#8221; by Jimmy Cox on guitar. This video is just a sampling of DanMan&#8217;s Music Library, which includes hundreds of videos that teach music theory and how to play songs on many different instruments! DanMan&#8217;s Music Library also includes over 50000 pieces of printable sheet music, a chords and scales database, and a teaching methods database.</p>
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		<slash:comments>25</slash:comments>
		</item>
		<item>
		<title>Toru Takemitsu &#8211; (1/3) From me flows what you call Time (part one)</title>
		<link>http://www.transit-music.com/music-theory/toru-takemitsu-13-from-me-flows-what-you-call-time-part-one</link>
		<comments>http://www.transit-music.com/music-theory/toru-takemitsu-13-from-me-flows-what-you-call-time-part-one#comments</comments>
		<pubDate>Sun, 05 Feb 2012 19:29:20 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[music theory]]></category>
		<category><![CDATA[Call]]></category>
		<category><![CDATA[flows]]></category>
		<category><![CDATA[From]]></category>
		<category><![CDATA[part]]></category>
		<category><![CDATA[Takemitsu]]></category>
		<category><![CDATA[time]]></category>
		<category><![CDATA[Toru]]></category>

		<guid isPermaLink="false">http://www.transit-music.com/music-theory/toru-takemitsu-13-from-me-flows-what-you-call-time-part-one</guid>
		<description><![CDATA[					
					
Tōru Takemitsu (武満徹, Takemitsu Tōru, October 8, 1930 &#8211; February 20, 1996) was a Japanese composer and writer on aesthetics and music theory. From Me Flows What You Call Time for 5 percussionists and orchestra (1990) BBC Symphony Orchestra conducted by Andrew Davis Though largely self-taught, Takemitsu is recognised for his skill in the subtle [...]]]></description>
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Tōru Takemitsu (武満徹, Takemitsu Tōru, October 8, 1930 &#8211; February 20, 1996) was a Japanese composer and writer on aesthetics and music theory. From Me Flows What You Call Time for 5 percussionists and orchestra (1990) BBC Symphony Orchestra conducted by Andrew Davis Though largely self-taught, Takemitsu is recognised for his skill in the subtle manipulation of instrumental and orchestral timbre, drawing from a wide range of influences, including jazz, popular music, avant-garde procedures and traditional Japanese music, in a harmonic idiom largely derived from the music of Claude Debussy and Olivier Messiaen. In 1958, he received international attention for his Requiem for strings (1957) which resulted in several commissions from across the world, and settled his reputation as the leading Japanese composer of the 20th century. He was the recipient of numerous awards, commissions and honours; he composed over one hundred film scores and about one hundred and thirty concert work for ensembles of various sizes and combinations. He also found time to write a detective novel and appeared frequently on Japanese television as a celebrity chef. In the foreword to a selection of Takemitsu&#8217;s writings in English, conductor Seiji Ozawa writes: &#8220;I am very proud of my friend Tōru Takemitsu. He is the first Japanese composer to write for a world audience and achieve international recognition</p>
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		<slash:comments>12</slash:comments>
		</item>
		<item>
		<title>Note Characteristics: Pitch, Timbre, Tone, and Loudness</title>
		<link>http://www.transit-music.com/music-theory/note-characteristics-pitch-timbre-tone-and-loudness</link>
		<comments>http://www.transit-music.com/music-theory/note-characteristics-pitch-timbre-tone-and-loudness#comments</comments>
		<pubDate>Sun, 05 Feb 2012 18:57:21 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[music theory]]></category>
		<category><![CDATA[Characteristics]]></category>
		<category><![CDATA[Loudness]]></category>
		<category><![CDATA[note]]></category>
		<category><![CDATA[Pitch]]></category>
		<category><![CDATA[Timbre]]></category>
		<category><![CDATA[tone]]></category>

		<guid isPermaLink="false">http://www.transit-music.com/music-theory/note-characteristics-pitch-timbre-tone-and-loudness</guid>
		<description><![CDATA[					
					
Notes have various characteristics which are important for the understanding the qualities of music and musical instruments. Among these important characteristics is pitch, timbre, tone, and loudness. In this video, I hope to explain the characteristics of notes and how they are related to music theory.
]]></description>
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Notes have various characteristics which are important for the understanding the qualities of music and musical instruments. Among these important characteristics is pitch, timbre, tone, and loudness. In this video, I hope to explain the characteristics of notes and how they are related to music theory.</p>
]]></content:encoded>
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		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Atari Hotz Box History &#8211; Mick Fleetwood, Jon Anderson, Jimmy Hotz and others</title>
		<link>http://www.transit-music.com/music-theory/atari-hotz-box-history-mick-fleetwood-jon-anderson-jimmy-hotz-and-others</link>
		<comments>http://www.transit-music.com/music-theory/atari-hotz-box-history-mick-fleetwood-jon-anderson-jimmy-hotz-and-others#comments</comments>
		<pubDate>Sat, 04 Feb 2012 19:28:34 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[music theory]]></category>
		<category><![CDATA[Anderson]]></category>
		<category><![CDATA[Atari]]></category>
		<category><![CDATA[Fleetwood]]></category>
		<category><![CDATA[history]]></category>
		<category><![CDATA[Hotz]]></category>
		<category><![CDATA[Jimmy]]></category>
		<category><![CDATA[Mick]]></category>
		<category><![CDATA[Others]]></category>

		<guid isPermaLink="false">http://www.transit-music.com/music-theory/atari-hotz-box-history-mick-fleetwood-jon-anderson-jimmy-hotz-and-others</guid>
		<description><![CDATA[					
					
History of the Hotz Box, which was invented by Jimmy Hotz and first manufactured by Atari. Starting with an early Hotz MIDI vest and progressing to the Atari Hotz Box at NAMM shows, this includes show performances by Mick Fleetwood, Jon Anderson, Paul Haslinger, Scott Gershin and other friends. For more information about Jimmy Hotz [...]]]></description>
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History of the Hotz Box, which was invented by Jimmy Hotz and first manufactured by Atari. Starting with an early Hotz MIDI vest and progressing to the Atari Hotz Box at NAMM shows, this includes show performances by Mick Fleetwood, Jon Anderson, Paul Haslinger, Scott Gershin and other friends. For more information about Jimmy Hotz and his music and inventions visit jimmyhotz.com or the Hotz store at hotzstore.com. Electronics, synthesizers, computers and digital recording have all made an enormous impact on music composition, performance and recording. Despite these advances, the process of becoming an accomplished musician &#8211; especially one trained in the theory and complex language of music &#8211; has remained essentially the same for centuries. This consists of many years of constant practice of physical patterns in conjunction with the study of diverse approaches to music theory. Most people with the innate potential to express themselves musically are prevented from doing so when faced with such a difficult path. Hotz technology addresses this problem in an elegant and empowering way that enables anyone, regardless of musical experience, to play music on a level that is fundamentally impossible without Hotz Translator technology.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.transit-music.com/music-theory/atari-hotz-box-history-mick-fleetwood-jon-anderson-jimmy-hotz-and-others/feed</wfw:commentRss>
		<slash:comments>11</slash:comments>
		</item>
		<item>
		<title>Le Anti-Parachute(Prod. by Rashad)</title>
		<link>http://www.transit-music.com/music-theory/le-anti-parachuteprod-by-rashad</link>
		<comments>http://www.transit-music.com/music-theory/le-anti-parachuteprod-by-rashad#comments</comments>
		<pubDate>Fri, 03 Feb 2012 19:28:54 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[music theory]]></category>
		<category><![CDATA[AntiParachuteProd.]]></category>
		<category><![CDATA[Rashad]]></category>

		<guid isPermaLink="false">http://www.transit-music.com/music-theory/le-anti-parachuteprod-by-rashad</guid>
		<description><![CDATA[					
					
A dope cut from Le&#8217;s mixtape, Anti-Parachute Theory
]]></description>
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A dope cut from Le&#8217;s mixtape, Anti-Parachute Theory</p>
]]></content:encoded>
			<wfw:commentRss>http://www.transit-music.com/music-theory/le-anti-parachuteprod-by-rashad/feed</wfw:commentRss>
		<slash:comments>8</slash:comments>
		</item>
		<item>
		<title>Circle of Fifths &#8211; Key Signature Video Lesson by MJS Music, guitar, bass, piano and more&#8230;</title>
		<link>http://www.transit-music.com/music-theory/circle-of-fifths-key-signature-video-lesson-by-mjs-music-guitar-bass-piano-and-more</link>
		<comments>http://www.transit-music.com/music-theory/circle-of-fifths-key-signature-video-lesson-by-mjs-music-guitar-bass-piano-and-more#comments</comments>
		<pubDate>Thu, 02 Feb 2012 19:28:47 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[music theory]]></category>
		<category><![CDATA[bass]]></category>
		<category><![CDATA[circle]]></category>
		<category><![CDATA[fifths]]></category>
		<category><![CDATA[guitar]]></category>
		<category><![CDATA[lesson]]></category>
		<category><![CDATA[More]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[piano]]></category>
		<category><![CDATA[signature]]></category>
		<category><![CDATA[video]]></category>

		<guid isPermaLink="false">http://www.transit-music.com/music-theory/circle-of-fifths-key-signature-video-lesson-by-mjs-music-guitar-bass-piano-and-more</guid>
		<description><![CDATA[					
					
When you look at a piece of music, do you automatically know what key you are in by the number of sharp or flat notes in the key signature? If you do not know all of the keys by heart, the Circle of Fifths is the fastest way to learn. This bonus video comes from [...]]]></description>
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When you look at a piece of music, do you automatically know what key you are in by the number of sharp or flat notes in the key signature? If you do not know all of the keys by heart, the Circle of Fifths is the fastest way to learn. This bonus video comes from the Easy Guitar and Easy Bass Guitar Theory DVDs by MJS Music &#038; Entertainment. Although it is a bonus feature on these DVDs, the lesson is priceless for students of music wanting to memorize the key signatures. To date, this video by MJS Music is the best representation of the Circle of Fifths ever created. Visit www.mjspublications.com.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.transit-music.com/music-theory/circle-of-fifths-key-signature-video-lesson-by-mjs-music-guitar-bass-piano-and-more/feed</wfw:commentRss>
		<slash:comments>24</slash:comments>
		</item>
		<item>
		<title>Theoryofmusic Origional Advert</title>
		<link>http://www.transit-music.com/music-theory/theoryofmusic-origional-advert</link>
		<comments>http://www.transit-music.com/music-theory/theoryofmusic-origional-advert#comments</comments>
		<pubDate>Wed, 01 Feb 2012 19:28:44 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[music theory]]></category>
		<category><![CDATA[Advert]]></category>
		<category><![CDATA[Origional]]></category>
		<category><![CDATA[Theoryofmusic]]></category>

		<guid isPermaLink="false">http://www.transit-music.com/music-theory/theoryofmusic-origional-advert</guid>
		<description><![CDATA[					
					
Theoryofmusic is a website that offers advice to people learning about the theory of music. Visit us today to find out more at www.theoryofmusic.webs.com
]]></description>
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Theoryofmusic is a website that offers advice to people learning about the theory of music. Visit us today to find out more at www.theoryofmusic.webs.com</p>
]]></content:encoded>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>The Major Scale And Chord Number System &#8211; Part 1</title>
		<link>http://www.transit-music.com/music-theory/the-major-scale-and-chord-number-system-part-1</link>
		<comments>http://www.transit-music.com/music-theory/the-major-scale-and-chord-number-system-part-1#comments</comments>
		<pubDate>Tue, 31 Jan 2012 19:28:47 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[music theory]]></category>
		<category><![CDATA[chord]]></category>
		<category><![CDATA[Major]]></category>
		<category><![CDATA[Number]]></category>
		<category><![CDATA[part]]></category>
		<category><![CDATA[scale]]></category>
		<category><![CDATA[system]]></category>

		<guid isPermaLink="false">http://www.transit-music.com/music-theory/the-major-scale-and-chord-number-system-part-1</guid>
		<description><![CDATA[					
					
Learn to play gospel online at www.gospelmusicuniversity.com. The best music curriculum anywhere. Choose courses online in Gospel Pop, Jazz, R&#038;B, music theory and more. Gain Access to our college degreed professional music instructors from anywhere in the world 24/7. Finally learn the many secrets that musicians refuse to share and learn to play like the [...]]]></description>
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					<embed src="http://www.youtube.com/v/YnBybo9eL5I?fs=1" type="application/x-shockwave-flash" width="425" height="355" allowfullscreen="true"></embed></object><br />
Learn to play gospel online at www.gospelmusicuniversity.com. The best music curriculum anywhere. Choose courses online in Gospel Pop, Jazz, R&#038;B, music theory and more. Gain Access to our college degreed professional music instructors from anywhere in the world 24/7. Finally learn the many secrets that musicians refuse to share and learn to play like the pros.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.transit-music.com/music-theory/the-major-scale-and-chord-number-system-part-1/feed</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>How To Write a Song: Beat Making Tutorial &#8211; How to Write Chords to a Melody</title>
		<link>http://www.transit-music.com/music-theory/how-to-write-a-song-beat-making-tutorial-how-to-write-chords-to-a-melody</link>
		<comments>http://www.transit-music.com/music-theory/how-to-write-a-song-beat-making-tutorial-how-to-write-chords-to-a-melody#comments</comments>
		<pubDate>Mon, 30 Jan 2012 19:29:05 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[music theory]]></category>
		<category><![CDATA[beat]]></category>
		<category><![CDATA[chords]]></category>
		<category><![CDATA[making]]></category>
		<category><![CDATA[melody]]></category>
		<category><![CDATA[song]]></category>
		<category><![CDATA[tutorial]]></category>
		<category><![CDATA[write]]></category>

		<guid isPermaLink="false">http://www.transit-music.com/music-theory/how-to-write-a-song-beat-making-tutorial-how-to-write-chords-to-a-melody</guid>
		<description><![CDATA[					
					
I am offering private lessons on songwriting and general music theory. Email me at thebeatschool2010@gmail.com for more details. How To Write a Song: Beat Making Tutorial &#8211; How to Write Chords to a Melody. In this lesson, I talk about writing chords to fit with a melody. I hope these songwriting tips help! If you [...]]]></description>
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					<embed src="http://www.youtube.com/v/w-yDcmGGy0M?fs=1" type="application/x-shockwave-flash" width="425" height="355" allowfullscreen="true"></embed></object><br />
I am offering private lessons on songwriting and general music theory. Email me at thebeatschool2010@gmail.com for more details. How To Write a Song: Beat Making Tutorial &#8211; How to Write Chords to a Melody. In this lesson, I talk about writing chords to fit with a melody. I hope these songwriting tips help! If you are confused, please check out my other videos for a bit of background info: www.youtube.com www.youtube.com and remember to SUBSCRIBE! The Beat School OFFICIAL WEBSITE: www.thebeatschool.com Check it out for more videos and articles on beat making.</p>
]]></content:encoded>
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		<slash:comments>20</slash:comments>
		</item>
		<item>
		<title>Hey Jazz Guy &#8211; Two-Fives (ii-V)</title>
		<link>http://www.transit-music.com/music-theory/hey-jazz-guy-two-fives-ii-v</link>
		<comments>http://www.transit-music.com/music-theory/hey-jazz-guy-two-fives-ii-v#comments</comments>
		<pubDate>Sun, 29 Jan 2012 19:29:37 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[music theory]]></category>
		<category><![CDATA[jazz]]></category>
		<category><![CDATA[TwoFives]]></category>

		<guid isPermaLink="false">http://www.transit-music.com/music-theory/hey-jazz-guy-two-fives-ii-v</guid>
		<description><![CDATA[					
					
Hey Jazz Guy basic lesson on ii-VI progression and voiceleading. For more music, info, lessons, and video, check out www.jakehertzog.com
]]></description>
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Hey Jazz Guy basic lesson on ii-VI progression and voiceleading. For more music, info, lessons, and video, check out www.jakehertzog.com</p>
]]></content:encoded>
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		<slash:comments>6</slash:comments>
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