www.FuzzyMonkeyTabs.com Check out my website. I’ve been working on a guitar lesson about the major scale and it’s 7 relative modes. It’s getting to be very long so I have decided to break it down into smaller videos. This video covers what a half step and a whole step is, and how to figure out the notes in any major scale. If you practice the C major scale that I show in this video try to use alternate picking (alternating from down strokes to up strokes with your pick). Also you should try to use your pointer finger for the first note on every string and use your pinky finger for the 3rd note of each string. This way your hand can stay in pretty much one location while you play every note. You could also practice this scale forwards (ascending) and backwards (descending).
Click for more info! *** Like what you’re hearing? Subscribe, “like” my FB. facebook.com about.me carterpoulsenguitars.com Skype me for music theory/guitar lessons: warrenlain E-mail to inquire about tutorials for hire: warren@warrenlain.com I’m working on a solo album. Check out my progress here – soundcloud.com *** Part 1 of how to play Radiohead’s “These Are My Twisted Words” on acoustic guitar accurately. By James Bolan’s request! Check out my companion cover video here: www.youtube.com Part 2: www.youtube.com Enjoy! Tuning: CGCGBE *** BACKERS (Covers) – Nick Fletcher, Aaron Orwin, Liu Fengge, Arnaud Gustave, James Lopez, Jen Lin Taing, Avery Burke, Daniel Alvarez, Steph Rue, Usman Husaini, Adrian (myxo14), Russ Thornton, Sergio Rodríguez, Ed Walsh, Matt Remick, David Coldrick, Elton Lin, Casey Curran, Cody Bentley SPECIAL BACKERS (Tutorials) – Mark Bailey, Hasan Alkabeer, James Bolan!, Ralph Haslett, Raymond (Yunny), Toni Vanwinkle, Billy & Lisa Nguyen, Courtney Boyd, John Waldron, Davis Erwin BRONZE (Original Song) – Nathan Thomas Jeung SILVER (Original Song/Tutorial/Cover) – Susan De Nicolo GOLD (Private Concert) – Pan Zhi Hao
Tōru Takemitsu (武満徹, Takemitsu Tōru, October 8, 1930 – February 20, 1996) was a Japanese composer and writer on aesthetics and music theory. From Me Flows What You Call Time for 5 percussionists and orchestra (1990) BBC Symphony Orchestra conducted by Andrew Davis Though largely self-taught, Takemitsu is recognised for his skill in the subtle manipulation of instrumental and orchestral timbre, drawing from a wide range of influences, including jazz, popular music, avant-garde procedures and traditional Japanese music, in a harmonic idiom largely derived from the music of Claude Debussy and Olivier Messiaen. In 1958, he received international attention for his Requiem for strings (1957) which resulted in several commissions from across the world, and settled his reputation as the leading Japanese composer of the 20th century. He was the recipient of numerous awards, commissions and honours; he composed over one hundred film scores and about one hundred and thirty concert work for ensembles of various sizes and combinations. He also found time to write a detective novel and appeared frequently on Japanese television as a celebrity chef. In the foreword to a selection of Takemitsu’s writings in English, conductor Seiji Ozawa writes: “I am very proud of my friend Tōru Takemitsu. He is the first Japanese composer to write for a world audience and achieve international recognition
Learn to play gospel online at www.gospelmusicuniversity.com. The best music curriculum anywhere. Choose courses online in Gospel Pop, Jazz, R&B, music theory and more. Gain Access to our college degreed professional music instructors from anywhere in the world 24/7. Finally learn the many secrets that musicians refuse to share and learn to play like the pros.
Learn to play gospel online at www.gospelmusicuniversity.com. The best music curriculum anywhere, Choose courses online in Gospel Pop, Jazz, R&B, music theory and more, Gain Access to our college degreed professional music instructors from anywhere in the world 24-7, Finally learn the many secrets that musicians refuse to share and learn to play like the pros.
Watch the whole interview on www.faceculture.com . Video interview with the American soul singer Aloe Blacc. FaceCulture spoke to the musician about his other band Emanon, his new album Good Things, his point of view on the world, helping people, The Grand Scheme, Bono, the single I Need A Dollar, first lyrics, compassion in capitalism, digital music, and more.
Grey Fox Bluegrass Festival 2003 Called “Bluegrass Banjo 101″, but it’s more like “Advanced Melodic Banjo and Music Theory” I’m honored that the videos are also on Bill’s website at www.beaconbanjo.com Note: It seems that the conversion from my MPG to YouTube’s Flash Video causes the audio to go out of sync with the video as the video progresses. I hope it’s tolerable with these short sections of less than 10 minutes. More videos at greyfoxbluegrass.com and frobbi.org
Learn how to play ‘House of the Rising Sun’ on guitar in this free video clip on reading and playing guitar tabulature.
The 2-5-1 is probably the most popular harmonic progression there is, featured in countless pop, jazz and rock songs. In these videos we’ll delve into the 2-5-1 progression – what it is and when (and how) to use it. Explanations will be accompanied by examples from pop (such as the Beatles’ Yesterday) and jazz.
*I have a lot of comments and pms asking for sheet music. Sorry guys but I don’t have any! As I think I mentioned in one of the videos, I play by ear, which means I listen to the music and play it on the piano. I think my version is pretty accurate still since I’ve been trained to do this sort of thing. Peace out =)* I had a few requests to do this piano tutorial. It’s my first one so I appreciate any feedback on how I could improve. I forgot to mention in the video that you can use the pedal, but remember to release it for every chord change. Thanks for watching! *** It took me 7 hours to make this tutorial and it’ll take me another 7 to put hands together. I will if I have time but I can’t guarantee anything. This was my first tutorial after-all. As a substitute, those of you who have problems putting hands together, count 4 beats to a bar for each hand and fit them together that way. If that made no sense, then sorry. Unfortunately, learning to play the piano involves learning some music theory as well. I wish you guys the best in learning to play the piano. Peace out. ^_^V ***